How to design an altered future

๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ช๐˜จ๐˜ฆ๐˜ฏ๐˜ด. ๐˜•๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ข๐˜ญ. ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ง๐˜ช๐˜ค๐˜ช๐˜ข๐˜ญ. ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ. - is the title of the 19th Architecture Biennale in Venice.

The Latin term ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ช๐˜จ๐˜ฆ๐˜ฏ๐˜ด contains "๐˜จ๐˜ฆ๐˜ฏ๐˜ด" - meaning people. Itโ€™s a call to move beyond todayโ€™s narrow focus on AI and digital tools, and to invite multiple intelligences into dialogue to shape the future of our built environments.

In my work, I transform structures - whether in people, cities, or companies. But I canโ€™t consult cities or guide innovation if I havenโ€™t studied the source - the initiator: the human who inspires, designs, builds, and ultimately inhabits these structures.

Iโ€™m particularly interested in the domino effect that begins with micro-inventions.

๐—ฅ๐—ฒ๐—ฎ๐—น ๐—ถ๐—ป๐—ป๐—ผ๐˜ƒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ๐˜๐—ฒ๐—ป ๐˜€๐˜๐—ฎ๐—ฟ๐˜๐˜€ ๐˜€๐˜‚๐—ฏ๐˜๐—น๐˜†, ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ฏ๐—ฒ๐˜€๐˜ ๐—น๐—ฒ๐—ฎ๐—ฑ๐—ฒ๐—ฟ๐˜€, ๐—ณ๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ ๐˜€๐—ต๐—ฎ๐—ฝ๐—ฒ๐—ฟ๐˜€, ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ๐˜€ ๐—ต๐—ฎ๐˜ƒ๐—ฒ ๐—ณ๐—ถ๐—ป๐—ฒ-๐˜๐˜‚๐—ป๐—ฒ๐—ฑ ๐˜€๐—ฒ๐—ป๐˜€๐—ผ๐—ฟ๐˜€ - ๐˜๐—ต๐—ฒ๐˜† ๐—ฟ๐—ฒ๐—ฎ๐—ฑ ๐˜€๐—ถ๐—ด๐—ป๐—ฎ๐—น๐˜€ ๐—ฒ๐—ฎ๐—ฟ๐—น๐˜†. ๐—ง๐—ต๐—ถ๐˜€ ๐—ถ๐˜€ ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ ๐˜๐—ฟ๐˜‚๐—ฒ ๐˜๐—ฟ๐—ฎ๐—ป๐˜€๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—ถ๐—ป๐—ป๐—ผ๐˜ƒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฏ๐—ฒ๐—ด๐—ถ๐—ป๐˜€.

For me, designing an altered future starts with fine-tuning the inner architecture. The human - mental, physical, emotional, energetic - is of most sophisticated, most intelligent โ€œtechnologyโ€ and of the smartest original design. It is perfect by nature.

๐—ข๐˜‚๐—ฟ ๐—ฎ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐˜† ๐˜๐—ผ ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—ฝ๐—ฝ๐—น๐˜† ๐—ผ๐˜‚๐—ฟ ๐—ผ๐˜„๐—ป ๐—ถ๐—ป๐˜๐—ฒ๐—น๐—น๐—ถ๐—ด๐—ฒ๐—ป๐—ฐ๐—ฒ - ๐—ถ๐—ป๐˜€๐˜๐—ถ๐—ป๐—ฐ๐˜, ๐—ถ๐—ป๐˜๐—ฒ๐—น๐—น๐—ฒ๐—ฐ๐˜, ๐—ฎ๐—ป๐—ฑ ๐—ถ๐—ป๐˜๐˜‚๐—ถ๐˜๐—ถ๐—ผ๐—ป - ๐—ฑ๐—ฒ๐—ณ๐—ถ๐—ป๐—ฒ๐˜€ ๐—ต๐—ผ๐˜„ ๐˜„๐—ฒ ๐—น๐—ฒ๐—ฎ๐—ฑ, ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ฒ, ๐—ฎ๐—ป๐—ฑ ๐—ถ๐—ป๐—ป๐—ผ๐˜ƒ๐—ฎ๐˜๐—ฒ ๐˜๐—ต๐—ฒ ๐—ณ๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ in collab with future tech.

My top 4 at the Architecture Biennial:

1. โ€œDiagramsโ€ by AMO / OMA Rem Koolhaas at Fondazione Prada

2. Gateway to Venice's Waterway by Norman Foster Foundation x Porsche AG

3. Tatiana Trouvรฉ. โ€œLa vie รฉtrange des chosesโ€ at Palazzo Grassi

4. Pavilions: Spain, Denmark and Nordic Countries

Thank you MIT Senseable City Lab, Fondazione La Biennale di Venezia